City of Vancouver Archives (CVA) has recently begun a project to digitize thousands of negatives created by commercial Vancouver photographer Don Coltman who worked at Williams Brothers Photographers, and whose images were created in the years 1941-55.
Coltman’s images cover such subjects as
This is exciting news and will add much to the photo collection of Vancouver images that are available online.
Researchers will be happy to know that all Coltman’s photographs are in the public domain and will be freely available for use once the project is finished.
The negatives are made of rapidly deteriorating cellulose acetate and are stored frozen to keep them from deteriorating further.
Because cellulose acetate is toxic, the CVA had to develop a way to digitize the negatives that would still be safe for staff and figure out a way to manage preservation of the negatives while also reducing the amount of time they are out of the freezer.
See the link at the top for more about the chemistry and preservation of cellulose acetate photos and about the CVA’s preservation work with the Coltman collection.
While researching the specifics of early audio recordings for a short story I wrote a few months ago, I came across the Vernadsky library’s collection of sound archives in Kiev and it made me think of this different format of documents that – to a music lover and aurally-focused person such as myself – opens up a whole new world of fascinating historical materials.
It’s got one of the biggest collections of recorded sound in the world and includes music, spoken word, and ambient recordings as far back as 1905, mostly on metal cylinders.
A digitizing project began in the 1990s, allowing much of the collection to now be electronically accessible.
The British Library sound archive’s collection of six million recordings come from BBC radio broadcasts and privately made recordings . They include first hand accounts of Holocaust survivors and of WW I vets held in German prisoner-of-war camps, soundscapes of street scenes including open markets from the Victorian era, the sound of a sail being hoisted on its mast on an early sailing ship, recordings of early folk and opera singing, writers – including an interview with Leo Tolstoy and other noteworthy writers – bird calls and wildlife recordings from many parts of the world, and UK dialects.
In a nutshell – here are the classifications of different recordings available. I’ll delve into these more in the weeks to come.
Drama and literature
Popular music and jazz
Spoken language and dialects
Wildlife and other nature sounds
World and traditional music
It makes me think of all the amazing ways these recordings could be used – in art and theatre projects to help set a scene. In academic investigations comparing the predominant sounds of yesteryear to those we hear today. And to hear – perhaps for the first time for contemporary audiences – the sound of birds and animals that have become extinct.
Many of these archival clips and recordings are available online to the public and some can be imbedded into various kinds of documents, but there are others that are restricted to use by students and faculty of British universities that have subscribed to its collection. However – if you are in London – and go into the reading room, you can listen to almost anything in the collection.
More in the coming weeks on use of this collection, restrictions, and a selection of recordings.