Vernadsky National Library of the Ukraine in Kiev
I’ve been working on a short story for a contest this week that’s been percolating in my mind for more than 10 years – that’s the way it goes sometimes – but I was happy to have the chance to finally write it.
The story would probably never seen the light of day if it hadn’t been for the break-up of the USSR (Union of Soviet Socialist Republics) in 1991 when archival records that had been restricted and virtually inaccessible, were released
The idea for the story I wrote all started at a concert at the Chutzpah festival in Vancouver when the band leader, Alicia Sviegels told the story of an ethnomusicologist, Moishe Beregovski, who travelled through the Ukraine in the 1930s and collected Klezmer folk music in one of the world’s most comprehensive studies.
Beregovski was sent to prison in the 1940’s and his research was confiscated from the Ukrainian Academy of Science. He never knew what had happened to it by the time he died in the 1960s’s, but probably assumed they had been destroyed by the Communist government.
However, after the break-up of the Soviet Union – a whole slew of archival records were released, providing a glimpse into the USSR that academics and geneaologists have been gobbling up ever since.
It was at that time that Beregovski’s early recordings on wax cylinders and his extensive documentation of the music – more than 100 questions for each piece of music – were unearthed and are now available for researchers at at library in Kiev, the Vernadsky National Library of the Ukraine.
I’ll write some more about this in the weeks to come and also will post parts of my story, which is called Pale Shadow.